The Two Hungry Blokes is not gone. I just have to be more devious in my approach to record and later reveal content from James. We still head out to have a random bite from time to time. For a guy who claims he’s leaving the scene, he’s not doing a good job. He still wants to express what he thinks about a restaurant, its service, its decor or the food to me. He simply no longer wants to write about it, which is fine, and I do not have to put my fingers into my ears and say, “la la la,” to ignore him. Instead, I’ll might as well take notes of his thoughts and report it. Yes, I can find workarounds.
In this Halloween guide, he never said I can not repost his list from our other blog otakunoculture.com here. I present our picks for this year’s local island festivities. Most, I have acquire tickets to, others, I don’t know if I want to take James along anyways. He was a buzzkill (see my report here) when he wanted to join me for the first event on my list. I also have to note for James picks, I went to one and he was nowhere. Did he go phantom on me?
I spent Friday night at the Conservatory of Music‘s Wood Hall for the Victoria Fringe Theatre Festival‘s kickoff into the long weekend. This time will be the busiest for the show, as it is the final weekend. The weather forecast predicts temperatures on the high side and it will be bright; please be sure to put on sun protection. If I can survive the Summer’s last hurrah, then there’s a few more shows I’m interested in seeing. The buzz from the street is to not miss Interstellar Elder, and fortunately that’s taking place at night, when it’s cooler.
To get back into downtown Victoria, however, that’s if I …
AWAKEN (Actually, the show’s name is AWOKEN)
Sep 2 – 4:30pm
Proper grammar usage aside, if there’s any way to interpret what Ottawa based actor Nick Amottt’s work AWOKEN is about, I’m sure Hideaki Anno, director of the Japanese Animation Neon Genesis Evangelion can make better sense out of it. The characters Amott play are projections from different parts of Todd Silvano’s psyche. Each of them seem to have some kind of complex just like the anime. This nerdy recluse suffers from a condition known as ‘fatal familial insomnia.’ There is no known cure for this brain disease. It eventually leads to hallucinations, delirium and eventually death.
St Michael’s University School
3400 Richmond Rd
Sept 1 – 7:00pm
Sept 2 – 2:00pm and 7:00pm
This year’s offering from the St. Michael’s University School Musical Theatre program, The Drowsy Chaperone, owes its debt to appearing in at the Toronto Fringe Festival before getting adapted for a larger audience. To see this comedy return to its roots after a rousing tour and subsequent productions throughout the past decade and a half is always one of the many highlights at the Victoria Fringe Theatre Festival. It is always worth the trip to the municipality of Gordon Head to this school’s auditorium to go see. The production is always tops because the educators at this particular institution ensure the students get the training they deserve and have a fun time while at it. This program cultivates talent and welcomes all youth interested in the performing arts.
This particular show has three performances left, and I feel this show is a must-not-miss for enthusiasts of this genre. This musical comedy was created by Don McKellar, Lisa Lambert and Greg Morrison. They performed it at a stag party for Bob Martin and Janet van de Graaf. Their namesakes even appear in this show-within-a-show. This performance looks at the life of a lonely individual (played by William Gao and Eva Kamimura) who looks at his life through the lens of a fictional recording circa 1920’s. This era was when Broadway became very popular and one of the genres that dominated included Ragtime (some swing was also heard too), The Drowsy Chaperone is an album that he so loves, and this narrator sums up the story and injects thoughts (from his life) about this show. This character is gender switched from time to time, as though one incarnation is how this individual is perceived within the musical.
A break will soon be coming as I have done two shows a day since the Victoria Fringe Theatre Festival has started. Even fans of experimental theatre needs to rest before embarking on another round and I’m really looking forward to seeing Wes Borg‘s Get Me The F*CK out of Edmonton and St Michael’s University School’s Musical Theatre show Drowsy Chaperone at the end of the week.
Though for Monday night, I had to satisfy the literary nerd in me. FUNNER from Sunday night was just too unusual, and I needed a proper Shakespeare Fix, to which yesterday’s two shows fully succeeded in entertaining. The day also made me feel like I visited the worlds of several master storytellers than one:
The weekend had me frequently Fringing the evening hours away than the afternoon. More acts will be starting mid-week, and for those still trying to figure out what to see next, there’s only a few days remaining for the shows I have looked at. To those who have not gone to one of Atomic Vaudeville‘s shows, you will be pleased to know they will be producing this Halloween’s Rocky Horror Show and have two original musicals in the works. Of course, they will always be a staple to top off the first weekend of the Victoria Fringe Festival.
But before I got to the third show of the night, I was at:
Updated: Mon 11:30pm, Feb 6
Virtual Reality is poised to become a viable medium to work in for many an artist (cinema or otherwise) and at the 2017 Victoria Film Festival, I spent a part of my weekend at Fort Tectoria playing these types of games and attending the last discussion of Springboard talking about it. This medium is a challenge to work in; Derek Jacoby, Maureen Bradley and Kate McCallum are people with a tremendous interest in this tech and they presented a fascinating look into how to work with and filming in virtual space is at now. The challenges to make it mainstream was also looked at.
Jacoby is aware of what other companies are doing. He’s the head of Victoria Makerspace, a collective tool workshop at the Vancouver Island Technology Park, where they get to play, if not create items, that will get used in the future. Whether that’s with video games (which they all agree is the driving force now) or in rehabilitation (where VR can make a huge difference to those with disabilities and can not get out in the world), as long as interest is high, then it will happen. Unlike 3DTV’s and how it fizzled, Jacoby also noted there’s the potential of mainstream not accepting it. Bradley focussed on the challenges of filming in this space and showed how video editing (where my interest is) is done. Software stitches the varying layers of 2D images onto a 3D like map, and rendering is not a perfect science. McCallum talked about the work she’s doing now and which types of businesses are taking interest in this new medium.